Artist: Arapacis CD Review: SO MANY LEAPERS By: Dan Brisebois It's unfortunately rather rare to have a band hit the mark on its first try, but that's what happened with Arapacis' debut, SO MANY LEAPERS. Initially formed in 2003, the Montreal foursome consists of Shelsey Jarvis on vocals, Jerry Fielden on guitars, Gab Boudreault on bass and drummer Ray Tessier. The band has headlined the Hard Rock Cafe in Montreal, as well as opened for Anvil and Raven, among other heavy hitters. Released in 2006, the album is as if the 70s legends have been brought up to date. The list of bands Arapacis calls influences is impressive and deep - Deep Purple, Black Sabbath, Mountain, and even Janis Joplin. But a highlight of SO MANY LEAPERS is it's progressiveness with an edge - hence the Rush and Iron Maiden undertones. Fielden is the chief song writer, and the lyrics are provoking, if not tantalizing, - delvng into a wide range of emotions. From the opening speed riffs of the lead-off title track, the album has balls, there's no mistaking that. "Drop of Hope" is arguably one of the best underground heavy tracks this year. "Histories" is the token ballad on the record. The trap many bands fall into is not taking the opportunity to make slower paces something special. That's far from the case here. The song's intricate vocal mix plays well with the a carefully thought-out keyboards underlay. Listen to "Tale Spin" and you'll hear the Maiden influences - "Reflections" and you can't help but think Hendrix - as Fielden tears through the tempo changes like the proverbial axe through butter, all the while Jarvis' vocals tear into you and seldom let go. Sometimes borderline goth, often wrenching and always intriguing - she has one of the best sets of pipes on the scene today. "Soldier of Fun" is an interesting number, that features one of Jarvis' best vocal performances. The mix on "Time's Has Been" showcases an almost goth-feel to the song, and can actually be heard being hinted at throughout the album. "Fast Fingers" is sure to be a hit with any fan of screaming guitar licks, with keyboard solos highlighting an instrumental that's held down with a solid back beat.